Amen Paling Serius: A Bold Electronic/Breakcore Odyssey by TamaT, TerbujurKaku, and Individual Distortion in Surabaya2 min read

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Amen Paling Serius, a groundbreaking three-way split electronic/breakcore album by Surabaya-based artists TamaT, TerbujurKaku, and Individual Distortion, was released via Anti-Trust Recordsโ€™ Bandcamp, coinciding with Indonesiaโ€™s 80th Independence Day. Born from a chance meeting at Pestapora 2023โ€™s Yes No Klub stage, late-night chats, and a shared passion for the iconic โ€œAmen breakโ€ from The Winstonsโ€™ 1969 track โ€œAmen, Brother,โ€ this project unites three veterans of Indonesiaโ€™s experimental music scene. The album, comprising nine relentless tracks, is a tribute to the amen breakโ€™s legacy in hip-hop, drum & bass, and breakcore, while pushing boundaries with fresh cuts, mutant remixes, and reworks that defy obsolescence.

The trioโ€”Eri Rukmana (TamaT), Phleg (TerbujurKaku), and Adythia Utama (Individual Distortion)โ€”crafted Amen Paling Serius to unsettle and challenge listeners, blending their distinct styles into a chaotic yet cohesive soundscape. TamaT contributes two new tracks and one older piece dedicated to his friend Valdakhanzaaa, a dancefloor regular. Individual Distortion delivers three tracks built from popular song samples, including the amen break, while TerbujurKaku fulfills a long-held vision with a collage of remixes, from dangdut emcee intros to 90s tracks and a reimagined song by Surabayaโ€™s thrash/heavy-rock band Headcrusher. The album, mastered by Aprizal Nursetya with artwork by Luky Prasetya, is available digitally and is slated for a physical cassette release by Gaib Lab.

Despite its title echoing a popular Malang soloistโ€™s single, the trio clarifies that Amen Paling Serius is purely a nod to the amen breakโ€™s cultural impact, not a reference to pop trends. X posts reflect local buzz, with @hipkultur praising the albumโ€™s โ€œunhinged energyโ€ and its โ€œlove letter to breakcoreโ€™s roots,โ€ though some, like @DejaRu22, call its abrasive style โ€œan acquired taste.โ€ The albumโ€™s experimental edge aligns with Surabayaโ€™s underground scene, where TerbujurKakuโ€™s 2010 Megamix Album: Koplo Goes to Breakcore previously mashed dangdut with jungle and breakcore, earning cult status. With influences from global breakcore labels like Planet Mu and Peace Off, Amen Paling Serius cements TamaT, TerbujurKaku, and Individual Distortion as torchbearers of Indonesiaโ€™s avant-garde electronic scene, inviting listeners to โ€œseriously dance amidst the jokes.โ€ Stream it on Bandcamp (https://antitrustrecords.bandcamp.com) and follow @tamatnoise or @terbujurkaku for updates.


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