‘Tron: Ares’ Electrifies Comic-Con With Dazzling Lightcycle Chases and Nine Inch Nails-Powered Spectacle2 min read

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The Grid came alive at San Diego Comic-Con as Disney unleashed an immersive showcase for Tron: Ares, blending pulse-pounding footage with a sensory-overload light show set to Nine Inch Nails’ throbbing original score. The panel culminated with the debut of NIN’s music video for “As Alive as You Need Me to Be”, capping an presentation that proved this unlikely franchise still crackles with futuristic energy 43 years after Jeff Bridges first entered the digital realm.

Director Joachim Rønning’s sequel—arriving 15 years after Tron: Legacy—marks a bold shift by bringing the action into the physical world. Jared Leto stars as Ares, a formidable digital soldier unleashed by tech mogul Julian Dillinger (Evan Peters, channeling the legacy of 1982’s villainous Ed Dillinger). The footage revealed Ares’ mission to retrieve rogue programmer Eve Kim (a magnetic Greta Lee) after she absconds with crucial Encom code.

Two extended clips showcased the film’s visual audacity. The first featured Dillinger “printing” Ares and warrior Athena (Jodie Turner-Smith) into reality alongside their signature lightcycles—vehicles that promptly bisect a police car during a blistering chase through city streets. The second plunged Eve into the Grid’s luminous depths, where Ares rescues her in a breathtaking lightboat pursuit across digital waves, dodging drone attacks.

Leto, who’s shepherded the project since 2017, radiated fanboy enthusiasm: “If I wasn’t on this stage, I’d be in the audience.” His reverence extended to Bridges, whom he accidentally interrupted during their first scene together. “I blurted ‘cut’ because I couldn’t stop smiling at working with this legend,” Leto admitted. Bridges, returning as Kevin Flynn, marveled at still playing in this sandbox after four decades: “’82? 43 years ago? Come on, man!”

The panel—moderated by Kevin Smith—maintained a breezy tone, with Lee joking about choosing the role specifically to ride a lightcycle. Co-stars Arturo Castro and Hasan Minhaj leaned into corporate satire, teasing parallels between fictional Encom and Disney with wink-nudge humor about “shareholder value.”

While avoiding recent controversies surrounding Leto, the focus remained on the film’s technical wizardry—from its neon-drenched production design to NIN’s score, which transforms the Grid into a pulsating audio-visual playground. As the lights came up on a dazzled Hall H crowd, one thing became clear: on October 10, audiences will rediscover why this cult franchise keeps getting rebooted. The Grid’s glow hasn’t dimmed.


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